Multi-Pass Inkjet
FJet XL, XL Pro, 24 and RF — high-mix flexibility for moderate-volume production. 400+ systems shipped.
Explore multi-pass →Both remove the tooling. Only one also removes most of the labor. The rate bands, the break-even logic, and why many plants end up running both.


Both are direct-to-object inkjet. Both print from the artwork file, so both make a changeover a file swap instead of a tooling change. The difference is what sets the speed limit: on a multi-pass system the printhead carriage sweeps back and forth to build the image, so time per part scales with passes and print area. On a single-pass system the part travels once beneath a fixed, full-width array and exits decorated — speed is set by the conveyor. In practice, multi-pass runs roughly 100 to 1,000 parts per hour; single-pass runs production volumes of 50 to 2,000 parts per minute, depending on the object. EPS has shipped 400+ multi-pass and 100+ single-pass systems, and the honest summary is one sentence: multi-pass removes your tooling cost; single-pass removes your tooling cost and most of the labor cost that remains.
| Your situation | Usual answer | Why |
|---|---|---|
| Roughly 100–1,000 parts per hour | Multi-pass | The carriage architecture is built for exactly this band |
| Volume above roughly 100,000 parts per SKU per year | Single-pass | Speed is set by the conveyor, not the number of passes |
| Wide SKU mix, short and mid runs | Multi-pass | Quick fixturing and zero-setup file changes across a broad catalog |
| High volume and variable data on the same line | Single-pass | The only architecture that changes both labor levers at once |
| Oversized parts, panels and large print areas | Multi-pass | Print area is limited by the table, not a head array |
| In-line integration with feeding, pretreat and vision | Single-pass | Built as a production line, not a station |
| First digital system / proof of concept | Multi-pass | Lower capital entry; pilot platforms scale the same ink and artwork up |
| Bottles and cylinders at production rate | Either | Multi-pass cylindrical for mix; single-pass cylindrical for volume |
That one difference cascades into everything else. A carriage machine needs fewer printheads, costs less, and can grow its print area to table size — the FJet RF handles oversized panels no fixed array could span economically. A single-pass line carries a head array across the full print width, which is more capital — and the reason it reaches rates like 45,000 bottle caps an hour on the XD-70 or up to 5,000 parts an hour on the cylindrical XD-360, with SKU changeover still under 60 seconds.
Every decoration line pays for labor in two places: changeover — setup, tooling, approvals between jobs — and production speed — how many operator-hours each thousand parts consumes. The tier question is really which levers you need to move.
The plates, screens and between-job setup disappear — but a lot of labor stays in the building. The machine is slower per part and usually operator-tended: someone loads it, unloads it and minds it, so the operator-hours baked into every thousand parts barely move. If tooling and setup are what is eating your week, and your volumes sit in the 100-to-1,000 parts per hour band, that is still a good trade at a fraction of the capital — just be clear about which cost it fixes.
The line runs machine-paced instead of operator-paced — feeding, pretreatment, print, cure and off-load in one transit — so the labor content of every thousand parts collapses along with the tooling. When volume per SKU is high — as a working threshold, above roughly 100,000 parts per SKU per year — that labor line is what pays the system back. Below that band, a single-pass array spends its day waiting for parts, which is the most expensive way to own one.
The arithmetic we run with prospects has three inputs: your changeover count per week, your volume per SKU, and your target rate. Two patterns fall out of it again and again:
That last point removes the fear from the decision: choosing multi-pass first does not strand you. The artwork files, the UV-LED ink chemistry, and the pretreatment approach carry straight up the ladder. The FJet 24 is positioned as exactly that pilot step before an FJet XL, and the XD-LT plays the same role on the single-pass side.
Everything that makes digital digital is common to both tiers: no plates or screens, variable data down to a serial number per part, CMYK plus white process color with expanded-gamut options, UV-LED curing, and durability that comes from matching ink, substrate and pretreatment as a system. Print quality is not the dividing line — a well-specified multi-pass cell and a single-pass line produce comparably excellent decoration. The dividing line is the clock.
Each tier comes in the three configurations, so the shape of your part never locks you out of a tier: flatbeds for flat and semi-flat parts, cylindrical systems for bottles and tubes on either architecture, and — at the single-pass end — the print engine mounted on a six-axis robot for complex 3D parts at production rate.


Cylindrical systems, full 360° wrap

Print engine on a six-axis robot — see the cell

MasterCut Tool runs more than 20,000 active SKUs, each in its own plastic case, and no two carry the same artwork.
Read the MasterCut case study →Single-pass, categorically: the part crosses the array once, so line rate is set by the conveyor rather than by sweep count. Depending on the object, single-pass runs production volumes of 50 to 2,000 parts per minute — 45,000 caps per hour on the XD-70, up to 5,000 parts per hour on the cylindrical XD-360. Multi-pass trades that ceiling for lower capital and larger print areas, running roughly 100 to 1,000 parts per hour.
Multi-pass, on capital — a carriage with fewer heads is simply less machine than a full-width array. But capital is one line of the cost per part; operator time is another, and that is where multi-pass stays expensive: slower cycles, hand-tended stations. Above roughly 100,000 parts per SKU per year, the labor single-pass takes out starts paying back the capital difference. We will run that break-even with your numbers before recommending either.
No. Both cure the same UV-LED ink chemistries and print full process color; a well-specified multi-pass cell produces decoration comparable to a single-pass line. The tiers divide on throughput and integration depth, not on how the print looks.
Yes — that is the normal path. The artwork files, ink approach and pretreatment logic carry straight across, and EPS positions the FJet 24 and XD-LT precisely as pilot platforms ahead of their production siblings. Many plants never fully “move”: they keep multi-pass for the long tail and add single-pass for the runners.
Yes. Variable data is a property of digital printing itself, not of either architecture — serials, lot codes, UDI marking and personalization run on both. The difference is rate: single-pass applies variable data at full production speed, which is what makes it the direct-offset alternative on high-volume container and cap lines.
Yes. Multi-pass cylindrical systems — the BottleJet family — rotate the part under a sweeping carriage and suit a wide container mix. The single-pass XD-360 decorates the full 360° in one rotation at up to 5,000 parts per hour. Same geometry answer, different clock, chosen by your volume per SKU.
Changeovers per week, parts per SKU, target rate — three numbers, and the tier usually picks itself. We build both, so the recommendation follows your arithmetic, not our catalog.